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Because large lancet windows, such as those lighting the aisles of a church, may be wide in comparison to a single light in a traceried window, they often have armatures of wood or iron to support the glass. The arch of a lancet opening is often equilateral, but sometimes is much more acute, and when employed in the arcade of a choir apse, such ...
The Flamboyant windows gradually abandoned mosaic-like appearance of the early stained glass windows, and came more and more to resemble paintings. [21] One distinctive feature of the flamboyant was a curvilinear design of the stone mullions within the arched top of windows which, with some imagination, resembled flames agitated by the wind.
Large 18th-century Rococo pier glass in the Amalienburg Pavilion, Schloss Nymphenburg. A trumeau mirror is a type of wall mirror originally manufactured in France in the later 18th century. It takes its name from the French word trumeau, which designates the space between windows. Such a mirror, usually rectangular, could also hang above an ...
This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows. [1] [2] It is a type of arcuated, or arched, vault in which the severies, or panels in the bays of the vault's underside are separated from one another by ribs which conceal the groins, or the intersections of the panels.
In early Christian churches of the 4th and 5th centuries, there are many remaining windows which are filled with ornate patterns of thinly-sliced alabaster set into wooden frames, giving a stained-glass like effect. [20] [21] Evidence of stained-glass windows in churches and monasteries in Britain can be found as early as the 7th century.
Florentine cabinets usually were very similar to those of the Renaissance, with but few changes. Segments and strapwork was still used, however, new features were also included such as pilasters, arched panels and pietra dura designs. Often religious or mythological themes were drawn inside the panels to decorate the object.