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On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and response ear training dictations, either alone or in ...
Fundamental structure: fundamental line on top stave, bass arpeggiation below. Play ⓘ One possible bass elaboration: I–IV–V–I Play ⓘ as elaboration of I–V–I Play ⓘ. [1] In Schenkerian analysis, the bass arpeggiation (German: Bassbrechung) is the bass pattern forming the deep background of tonal musical works.
First-order arpeggiation. Arpeggiated motion leading to the primary tone of the fundamental line. The term has been proposed by Forte & Gilbert. [7] See also Schenkerian analysis: Initial ascent, initial arpeggiation. Foreground (German: Vordergrund) See Structural level. Free Composition (German: freier Satz)
The fundamental line (German: Urlinie) is the melodic aspect of the Fundamental structure , "a stepwise descent from one of the triad notes to the tonic" with the bass arpeggiation being the harmonic aspect. [3] The fundamental line fills in the spaces created by the descending arpeggiation of the tonic triad.
A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
A musical piece containing works by different composers Ripieno concerto: padding concert: A form of Baroque concerto with no solo parts Serenata: Serenade: A song or composition in someone's honour. Originally, a musical greeting performed for a lover Soggetto cavato: carved subject: A musical cryptogram, using coded syllables as a basis for ...
The fundamental line itself originates as an arpeggiation of the tonic chord, filled by passing tones: In accordance with the arpeggiation from which it stems, the fundamental line exhibits the space of a third, fifth, or octave. These spaces are filled by passing tones. [1]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...