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Shostakovich and Sviatoslav Richter played the Ninth Symphony in a four-hand arrangement for musicians and cultural officials in early September 1945. The premiere, conducted by Yevgeny Mravinsky, took place on 3 November 1945 in the opening concert of the 25th season of the Leningrad Philharmonic Orchestra, sharing the program with Tchaikovsky's Symphony No. 5.
Howard J. Buss: A Day in the City for solo bassoon (1986) Time Capsule for oboe and bassoon (1996) Desert Odyssey for clarinet, bassoon and piano (1997) Peter Maxwell Davies: Strathclyde Concerto no.8 for bassoon and orchestra; Edison Denisov. Cinq Etudes for bassoon (1983) Sonata for solo bassoon (1982) Franco Donatoni: Concerto for bassoon (1952)
Suite for Bassoon and Piano Bassoon and piano 1934 Only an eight-measure sketch remains. [67] Unfinished Symphony Orchestra 1934–1935 Incomplete draft of earlier and mostly unrelated version of the Fourth Symphony. [67] 39 The Limpid Stream, ballet in three acts Orchestra 1934–1935 Suite assigned Op. 39a.
Allegretto — Allegro non troppo The work begins with an introductory Allegretto section, which is developed from a duet between solo trumpet and bassoon. This leads into the first subject proper, a lively march-like Allegro reminiscent of the vaudeville and theatre music Shostakovich would have encountered during his time as a cinema pianist.
However, in contrast to Beethoven's exuberant conclusion, Shostakovich provides a pastoral rondo in which solo woodwinds again dominate. The movement begins with a passage for solo bassoon, and ends quietly with both pizzicato and sustaining strings; for some additional color, a solo flute joins in for the last note of the motive, at the very ...
1991 Elegy on the Name "Dmitri Shostakovich" for viola (or cello) - dedicated to Elena Ozol 2005 Duet for Solo Clarinet 2013 Soliloquy for Solo Bassoon - composed for bassoonist Bryan Young [ 10 ] [ 11 ]
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After this a slower, two-part section follows, with a bassoon solo introduced by a solo clarinet; then a soft recapitulation of the opening theme is played by the strings. The movement's brief coda repeats fragments of the "invasion" theme, played by a solo trumpet and percussion.
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