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The Thinker (French: Le Penseur), by Auguste Rodin, is a bronze sculpture situated atop a stone pedestal depicting a nude male figure of heroic size sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand.
Image credits: JamesLucasIT Sculpture as an art form dates back to 32,000 years B.C. Back then, of course, small animal and human figures carved in bone, ivory, or stone counted as sculptures.
Philadelphia Museum of Art More images: The Hand of God [57] 1897 to 1898 Marble Metropolitan Museum of Art, New York City 73.7 x 60.3 x 64.1 More images: The Evil Spirits [58] 1899 Marble National Gallery of Art, Washington D.C. 71.2 x 75.7 x 59 More images: Man and his Thought [59] 1896 to 1900 Marble National Gallery (Berlin) 77 x 46 More images
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
Sculptures and statues can provide a fascinating insight into the time they were made. And sometimes, they contain little “secrets”—details that reveal the mind of the creator, or just make ...
It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures. Several casts of the work were made, which are now in various locations around the world. Rodin's original plaster model is in the Musée D’Orsay, Paris. The figures range from 15 centimetres (6 in) high up to more than one metre (3 ft).
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo.With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.
The equestrian sculpture is insofar a miracle which stands for Fernkorn's craftsmanship as a sculptor, as only the two back legs of the horse have a connection with the pedestal, it is only the second oldest in the world of this kind, after the Monument to Nicholas I in Saint Petersburg, outdoing the achievement of Tacca's equestrian sculpture ...