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Image credits: JamesLucasIT Sculpture as an art form dates back to 32,000 years B.C. Back then, of course, small animal and human figures carved in bone, ivory, or stone counted as sculptures.
Hellenistic sculpture represents one of the most important expressions of Hellenistic culture, and the final stage in the evolution of Ancient Greek sculpture. The definition of its chronological duration, as well as its characteristics and meaning, have been the subject of much discussion among art historians, and it seems that a consensus is ...
The Thinker (French: Le Penseur), by Auguste Rodin, is a bronze sculpture situated atop a stone pedestal depicting a nude male figure of heroic size sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand.
In bronze sculpture, the Minoans showed great skill, having developed the lost-wax technique, [9] and the period is particularly important because it consolidated a whole mythical process around the creative process, personified in the figures of the god Hephaestus, the masterful craftsman, and Daedalus, a legendary character who is credited ...
Sculptures and statues can provide a fascinating insight into the time they were made. And sometimes, they contain little “secrets”—details that reveal the mind of the creator, or just make ...
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo.With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance, and since classical antiquity, a precedent for the 16th century and beyond.
Such ideas contributed to the fact that sculpture production continued to flourish, meeting new needs, but the closer approach to the natural did not mean a complete abandonment of the ideal. Realism as a dominant trend would only appear in Greek sculpture with the succeeding Hellenistic school. Lysippos still criticized sculptors who created ...
The Pietà (Italian: [maˈdɔnna della pjeˈta]; "[Our Lady of] Pity"; 1498–1499) is a Carrara marble sculpture of Jesus and Mary at Mount Golgotha representing the "Sixth Sorrow" of the Virgin Mary by Michelangelo Buonarroti, in Saint Peter's Basilica, Vatican City, for which it was made.