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Sermon 77: Spiritual Worship - 1 John 5:20; Sermon 78: Spiritual Idolatry - 1 John 5:21; Sermon 79: On Dissipation - 1 Corinthians 7:35; Sermon 80: On Friendship with the World - James 4:4; Sermon 81: In What Sense We Are to Leave the World - 2 Corinthians 6:17-18; Sermon 82: On Temptation - 1 Corinthians 10:13; Sermon 83: On Patience - James 1:4
The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου). Its Western name derives from the incipit of its Latin text.
The books of the New Testament frequently cite Jewish scripture to support the claim of the Early Christians that Jesus was the promised Jewish Messiah.Scholars have observed that few of these citations are actual predictions in context; the majority of these quotations and references are taken from the prophetic Book of Isaiah, but they range over the entire corpus of Jewish writings.
Singing in the Spirit or singing in tongues, in Pentecostal and charismatic Christianity, is the act of worshiping through glossolalic song. The term is derived from the words of Paul the Apostle in 1 Corinthians 14:15, "I will pray with my spirit, but I will pray with my mind also; I will sing praise with my spirit, but I will sing with my mind also".
Come, Holy Spirit, fill the hearts of Thy faithful and kindle in them the fire of Thy love. Send forth Thy Spirit and they shall be created. And Thou shall renew the face of the earth. Oh God, who by the light of the Holy Spirit, did instruct the hearts of Thy faithful. Grant us in the same Spirit to be truly wise, and ever rejoice in His ...
He composed the worship song "He brought me to His banqueting table (His banner over me)", based on the Song of Solomon. [2] He also produces Christian music artists under his own label "Third Ear Music". [4] Prosch served as the worship pastor with John Wimber in California in the early years of the Vineyard Church movement. [verification needed].
The hymn's lyrics refer to the heavenly host: "Thee we would be always blessing / serve thee with thy hosts above".. At its first appearance, the hymn was in four stanzas of eight lines (8.7.8.7.D), and this four-stanza version remains in common and current use to the present day, being taken up as early as 1760 in Anglican collections such as those by Madan (1760 and 1767), Conyers (1772 ...
"Down by the Riverside" (also known as "Ain't Gonna Study War No More" and "Gonna lay down my burden") is an African-American spiritual.Its roots date back to before the American Civil War, [1] though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. [2]