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A hexaphonic pickup and a converter are usually components of a guitar/synthesizer. Such pickups are uncommon (compared to normal ones), and only a few notable models exist, like the piezoelectric pickups on the Moog Guitar. Hexaphonic pickups can be either magnetic or piezoelectric or based on the condensor principle like electronicpickups
The neck pickup features a metal cover and produces a mellower sound, while the bridge pickup has exposed pole pieces and produces an extremely twangy, sharp tone with exaggerated treble response, [4] because the bridge pickup is mounted on a steel plate.
A diagram showing the wiring of a Gibson Les Paul electric guitar. Shown are the humbucker pickups with individual tone and volume controls (T and V, respectively), 3-way pickup selector switch, tone capacitors that form a passive low-pass filter, the output jack and connections between those components. The top right shows a modification that ...
Most of the guitar's electronic components (pickups, potentiometers, switches and wiring) are mounted on or behind the pickguard and this design simplifies repairs to the wiring once the pickguard is removed. On models with smaller pickguards, access to electronics on solid-body guitars are usually done through access panels built into the rear ...
Guitar pickups reproduce this noise, which can be quite audible, sounding like a constant hum or buzz. This is most noticeable when using distortion, fuzz, compressors, or other effects which, by adding gain to low-level signals, reduce the signal-to-noise ratio and therefore amplify the unwanted interference relative to the signal from the ...
The Fender Noiseless series is a line of electric guitar pickups made by the Fender Musical Instruments Corporation designed to cancel 60 cycle (Hz) hum noise while retaining the characteristic sound of single coil pickups. Introduced in 1998, these pickups consist of a pair of single coils stacked one on top of the other, compacted so as to ...
In the mid-1950s Gibson looked to create a new guitar pickup different from existing popular single coil designs. Gibson had already developed the Charlie Christian pickup and P-90 in the 1930s and 40s; however, these designs—like competitor Fender's single-coil pickups—were fraught with inherent 60-cycle hum sound interference.
An acoustic guitar with pickups for electrical amplification is called an acoustic-electric guitar. In the 2000s, manufacturers introduced new types of pickups to try to amplify the full sound of these instruments. This includes body sensors, and systems that include an internal microphone along with body sensors or under-the-saddle pickups.