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In act 1, scene 3, Shylock finally agrees to lend Bassanio three thousand ducats they all agree to the loan, Bassanio offers Shylock to eat with him, but he denies the offer on the grounds of eating with Christians. After a long debate about the Jewish versus Christian morality of charging interest on loans, Shylock decides to add a clause that ...
The quote appears in Act 3 Scene 1 of William Shakespeare's play Julius Caesar, [1] where it is spoken by the Roman dictator Julius Caesar, at the moment of his assassination, to his friend Marcus Junius Brutus, upon recognizing him as one of the assassins.
"The evil that men do", a quotation from Act 3, scene ii of Julius Caesar by William Shakespeare; The Evil That Men Do, a 1904 novel by M. P. Shiel; The Evil That Men Do, a 1953 novel by Anne Hocking; The Evil That Men Do, a 1966 novel by Judson Philips, writing as Hugh Pentecost; The Evil That Men Do, a 1969 novel by John Brunner
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Whoopi Goldberg is donning her habit once again as nun Sister Mary Clarence in the highly anticipated third Sister Act film. Goldberg starred in the original 1992 Sister Act movie as lounge singer ...
A rehearsal of act 3, scene 2, including the stabbing of Riccardo, is featured in the closing scene of Bernardo Bertolucci's 1979 film La Luna. It also confused Leslie Titmuss in John Mortimer's novel Titmuss Regained; when a friend said that she was going to see Un ballo in maschera at Covent Garden, he replied "never been one for dancing".
King John's Death Scene: Act 3, Scene 3 of King John (1899), corresponding to Act 5, Scene 7 in the original play. Prince Henry attends a poisoned and feverish King John as Lords Pembroke and Salisbury look on. King John is the title by which the earliest known example of a film based on a play by William Shakespeare is commonly known. [1]
The second attempt to exchange money for love comes in Act 5 Scene 2 and highlights a status distinction. Hammon attempts to pay Ralph 20 pounds in order to claim Jane for himself. [ 26 ] Hammon, like Otley, operates under the assumption that money can buy anything, even love, and approaches Jane not as a person but as a commodity. [ 27 ]