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The star of 'E.T. the Extra-Terrestrial' reflects on Steven Spielberg's 1982 blockbuster on its 40th ... Henry Thomas explains the movie magic behind the beloved film's famous flying bike scene.
E.T. the Extra-Terrestrial (or simply E.T.) is a 1982 American science fiction film produced and directed by Steven Spielberg and written by Melissa Mathison. It tells the story of Elliott, a boy who befriends an extraterrestrial, dubbed E.T., who is left behind on Earth. Along with his friends and family, Elliott must find a way to help E.T ...
[2] [3] [4] The 20-page storybook include stills from the movie and the lyrics to the song "Someone in the Dark" (written by Alan and Marilyn Bergman), which Jackson sings on the audiobook. The recording, on a 12-inch vinyl LP, features original music by John Williams , integrated sound effects from the movie, as well as the voice of E.T. in ...
E.T. the Extra-Terrestrial: Music from the Original Soundtrack is the score to the 1982 film of the same name composed and conducted by John Williams. The album was first released by MCA Records on June 11, 1982. It won the Academy Award for Best Original Score and Grammy Award for Best Score Soundtrack for Visual Media.
Kate Winslet and Leonardo DiCaprio’s most iconic Titanic scene wasn’t nearly as romantic to film as it appears on screen.. Winslet reflected on shooting the famous “I’m flying” scene in ...
Sally Field talks about playing Zelda with Robin Williams behind the scenes of "Mrs. Doubtfire," and how it drove Williams nuts that he couldn't make her laugh and break up takes while filming. # ...
The bike in the middle of the front row contains E.T. However, in the attraction's early years, guests also had the option of riding in a spaceship modeled after the one that E.T. came to Earth on in the movie; these ride vehicles were removed as guests preferred to ride the bikes, given how iconic they were in the famous flying scene in the movie.
The score was originally supposed to be entirely conducted by Williams, but due to scheduling conflicts with the scoring of Steven Spielberg's film Catch Me If You Can, Ross was brought in to adapt Williams' material from Philosopher's Stone and conduct the scoring sessions with the London Symphony Orchestra with orchestrations provided by ...