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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
By 1517, Leonardo da Vinci's The Last Supper had already started to deteriorate, as was noted in many diaries and letters of the time. The corrosion of the work can be accredited to Leonardo's unconventional painting technique for a work on a wall, as well as the surface itself.
The Last Supper is the final meal that, in the Gospel accounts, Jesus shared with his apostles in Jerusalem before his crucifixion. [2] The Last Supper is commemorated by Christians especially on Holy Thursday. [3] The Last Supper provides the scriptural basis for the Eucharist, also known as "Holy Communion" or "The Lord's Supper". [4]
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
Leonardo, The Last Supper (1494–1497) Leonardo, Virgin of the Rocks, first version (1483–1486) Like Bramante, Leonardo da Vinci was also attracted to Lombardy by the job opportunities offered by the policy of energetic expansion promoted by the Sforza family. In a famous self-presentation letter of 1482, the artist enumerated his skills in ...
According to Reuters, some Christian groups felt offended by the use of religious imagery—in this case, Leonardo da Vinci's "The Last Supper," though the Olympics clarified any resemblance to ...
The ceremony caused controversy after one sketch was widely interpreted to be a parody of Leonardo Da Vinci’s famous The Last Supper painting – a detail denied behind the event organiser.
Paris Olympics organizers apologized to anyone who was offended by a tableau that evoked Leonardo da Vinci’s “The Last Supper” during the glamorous opening ceremony, but defended the concept ...
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