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Electronic by nature, most digital cameras are instant, mechanized, and automatic in some or all functions. Digital cameras may choose to emulate traditional manual controls (rings, dials, sprung levers, and buttons) or it may instead provide a touchscreen interface for all functions; most camera phones fall into the latter category.
In photography, backscatter (also called near-camera reflection [1]) is an optical phenomenon resulting in typically circular artifacts on an image, due to the camera's flash being reflected from unfocused motes of dust, water droplets, or other particles in the air or water. It is especially common with modern compact and ultra-compact digital ...
Pentax, for whose cameras digital backs are not available, sells a medium-format digital camera. Another trend is the release of new camera systems designed to tightly integrate with digital backs; this provides users with the ability to use film, but is easier to use for digital work than a film camera with a less-integrated accessory digital ...
A digital camera, also called a digicam, [1] is a camera that captures photographs in digital memory. Most cameras produced today are digital, [2] largely replacing those that capture images on photographic film or film stock.
In 1991, Kodak unveiled the DCS 100, the first commercially available digital single-lens reflex camera. Although its high cost precluded uses other than photojournalism and professional photography, commercial digital photography was born. Digital imaging uses an electronic image sensor to record the image as a set of electronic data rather ...
A technique for allowing a camera to be pre-focussed to a defined spot, and the exposure is only made when a subject is in focus at that spot. Also called trap focus. CMOS: Complementary metal oxide semiconductor. A semiconductor technology, used to create photosensor arrays for some digital cameras. [4] CMYK: CMYK color model. A subtractive ...
The camera was a waist type with an M40x1 screw mount and a horizontal cloth focal shutter. This camera is the pattern for most of the 35 mm SLR cameras and also for the Japanese and the digital SLR cameras today. After the war, Praktiflex was the most manufactured 35 mm SLR in Dresden, especially for the Russians as reparations.
The in-camera matte shot remained in use until the film stock began to go up in quality in the 1920s. During this time a new technique known as the bi-pack camera method was developed. This was similar to the in-camera matte shot, but relied on one master positive as a backup. This way if anything was lost, the master would still be intact.
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