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Shamans and their practices continue in some parts of the Philippines. [205] The art of constellation and cosmic reading and interpretation is a fundamental tradition among all Filipino ethnic groups, and the stars are used to interpret for communities to conduct farming, fishing, festivities, and other important activities.
Works of National Artists of the Philippines — artworks and landmarks created−designed by honored recipients of the National Artist of the Philippines Order
Filipino Struggles Through History, alternatively known as the History of Manila is a series paintings which depicts select events from Philippine history. [6] It composes of 10 canvas panels collectively measuring 2.7 meters (8.9 ft) high and 79.4 meters (260 ft) wide.
Bernardo was the subject of three major retrospectives; the first one in 1979 at the Museum of Philippine Art, the second, in 2013 at the Ayala Museum during the centenary of his birth and the third, at the Cultural Center of the Philippines in 2014. According to art critic Alice Guillermo, Bernardo was "one of the earliest and most consistent ...
Imelda Cajipe-Endaya (born 1949), painter, printmaker, mixed-media installation artist, curator, art project organiser and writer, activist Paulina Constancia (born 1970), Filipino-Canadian painter Xyza Cruz Bacani (born 1987), Filipina street photographer and documentary photographer
It is currently displayed in the main gallery at the first floor of the National Museum of Fine Arts in Manila, and is the first work of art that greets visitors upon entry into the museum. The National Museum considers it the largest painting in the Philippines with dimensions of 4.22 meters x 7.675 meters. [3]
Geraldine Javier is a contemporary Filipina Visual Artist whose work is best known for her work which blends of painting with various media, and is "recognized as one of the most celebrated Southeast Asian artists both in the academic world and in the art market." [1]
By introducing modern ideas into the Philippine art scene, Victorio Edades managed to destroy the conventions of domestic art, and also got rid of the clichéd ideology he believed stunted the development of Philippine art. His defiance to what the Conservatives structured as ‘art’ was a conscious call for real artistic expression.