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(1996) Tele-Ventures: The Ventures Perform the Great TV Themes (1996) Underground Fire / Hollywood Metal Dynamic Sound 3000 (1996) Walk Don't Run / Walk, Don't Run, Vol. 2 (1996) Where the Action Is! / The Ventures Knock Me Out! (1997) 36 All Time Greatest Hits (1997) Batman / TV Themes (1997) Guitar Freakout / Wild Things! (1997) In the Vaults
The 1964 The Ventures In Space album was a primer in the use of special guitar effects, and made pioneering use of 'reverse-tracking'. The Ventures In Space, because of its ethereal space-like effects, was deemed an influence on the later 1960s San Francisco psychedelic generation, as well as being cited as a favorite by Keith Moon of the Who. [32]
Walk, Don't Run, Vol. 2 is the 16th studio album by The Ventures, released in 1964.It features "Walk Don't Run '64," an updated recording of the Johnny Smith cover; as a single, it would be the second time the band had a Top 10 hit in the U.S. with that same composition.
The Ventures were on one of their first tours as Liberty Records began compiling their first album and were still on the road by the time of the front cover photo shoot. [1] As a result, four employees from Liberty's stockroom (with two wearing sunglasses) were posed as if they were falling or tripping over instruments with model Barbara Grimes ...
The Ventures recorded an instrumental rock version of "Slaughter on Tenth Avenue", based on the score of the ballet. It was released as a single in 1964, and appeared on their album Knock Me Out the following year. The single became a minor hit in the United States, peaking at #35 on the Billboard Hot 100 charts. [4]
Edwards originally played bass for The Ventures, but he took over the lead guitar position from Bogle. [1] The Ventures released a series of best-selling albums throughout the 1960s, and Edwards left towards the end of this period in 1968. He returned full-time as the Ventures' lead guitarist in 1972 and stayed with the band until 1984.
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He originally started out with The Ventures on a 4-piece drum kit with just hi-hats and a single cymbal. Towards the end of the 1960s, he expanded his kit to include multiple tom-toms and double bass drums; he eventually added numerous crash cymbals to his set as well. Taylor used many drum kits over the years including Rogers, Ludwig, Gretsch ...