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Western music theory generally divides the octave into a series of twelve pitches, called a chromatic scale, within which the interval between adjacent tones is called a semitone, or half step. Selecting tones from this set of 12 and arranging them in patterns of semitones and whole tones creates other scales. [30]
"The Music and Theories of Josef Matthias Hauer", Ph.D. dissertation. Ann Arbor: University of Michigan. Covach, John. 1992. "The Zwölftonspiel of Josef Matthias Hauer”. Journal of Music Theory 36.1 (1992): 149–84. Covach, John. 2002. "Twelve-Tone Theory”. In The Cambridge History of Western Music Theory, edited by Thomas Christensen ...
The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at double its frequency so that it is called a higher octave of the same note (from Latin "octavus", the eighth).
Western music is a form of music composed by and about the people who settled and worked throughout the Western United States and Western Canada. Western music celebrates the lifestyle of the cowboy on the open range, along the Rocky Mountains , and among the prairies of Western North America.
The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches.As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches.
AHRC-funded research project containing music files viewable on-site or as downloads. Most of the music consists of chamber music and concertos for string instruments, edited and annotated by such players as Ferdinand David, Friedrich Grützmacher, and Joseph Joachim. University of Leeds Cardiff University: Chopin's First Editions Online
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In music theory, Roman numeral analysis is a type of harmonic analysis in which chords are represented by Roman numerals, which encode the chord's degree and harmonic function within a given musical key. Specific notation conventions vary: some theorists use uppercase numerals (e.g.
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