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The Amen break is a drum break that has been widely sampled in popular music. It comes from the 1969 track " Amen, Brother " by the American soul group the Winstons , released as the B-side of the 1969 single " Color Him Father ".
The Amen break, a drum break from The Winstons' song "Amen, Brother" is widely regarded as one of the most widely used and sampled breaks among music using breakbeats. [10] This break was first used on "King of the Beats" by Mantronix, and has since been used in thousands of songs. [11]
Halfway into "Amen, Brother", there is a drum solo (performed by Gregory C. Coleman) which would cause the release to become the most widely sampled record in the history of electronic music. [1] Sampled audio clips of the drum solo became known as the Amen break , which has been used in thousands of tracks in many musical genres, including ...
The most defining characteristic of breakcore is the drum work, which is often based on the manipulation of the Amen break [13] and other classic jungle and hip-hop breaks at high BPM. The techniques applied to achieve this differ from musician to musician, some preferring to cut up and rearrange the breaks, while others merely distort and loop ...
In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement.
A fact from Amen break appeared on Wikipedia's Main Page in the Did you know column on 19 June 2024 ... Sample of Amen break is both below 10% of the original audio ...
The B-Side of the 7" vinyl single was an up-tempo instrumental rendition of an older gospel music classic titled "Amen, Brother". This song included a 4 bar drum solo played by Winstons drummer G.C. Coleman, which years later was to become known as the famous "Amen Break".
Teen Week is a digicore EP inspired by the electronica and electronic dance music of the musician Porter Robinson; some tracks feature 16-bit or 8-bit music and the Amen break. Its lyricism pertains to personal growth struggles, as well as themes of adolescence.