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The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
Čhetáŋ Sápa (Black Hawk) [tʃʰɛtə̃ sapa] (c. 1832 – c. 1890) was a medicine man and member of the Sans Arc or Itázipčho band of the Lakota people. [1] He is most known for a series of 76 drawings that were later bound into a ledger book that depicts scenes of Lakota life and rituals.
Harvey Pratt, Cheyenne & Arapaho artist from Oklahoma. Harvey Phillip Pratt (born 1941) is an American forensic artist and Native American artist, who has worked for over forty years in law enforcement, completing thousands of composite drawings and hundreds of soft tissue postmortem reconstructions. [1]
Shawnee chief who attempted to organize a vast alliance of Native American tribes in the eastern United States during the early 19th century. Siding with Great Britain during the War of 1812, he led the Shawnee against the United States until his death at the Battle of the Thames. Tenskwatawa: 1775–1834 1800s–1830s Shawnee
Kiowa ledger art drawing possibly depicting the Buffalo Wallow battle in 1874, a fight between Southern Plains Indians and the U.S. Army during the Red River War.. Ledger art is narrative drawing or painting on paper or cloth, predominantly practiced by Plains Indian, but also from the Plateau and Great Basin.
The drawings were made in 1881. [5] They were drawn with colored pencil on the manilla paper. [6] The drawings show hand-to-hand warfare in a brutally honest manner, and have been described as "the most trustworthy sort of visual depiction we have of the battle" that does not centralize General George Custer's role in the fighting. [5]
Matika Wilbur photographed members of every federally recognized Native American tribe. She named the series Project 562 for the number of recognized tribes at the time.
Russell's Trail of the Iron Horse watercolor (depicting a group of horseback Native Americans contemplating railroad track) sold for $1.9 million, while Dakota Chief (which depicts a young Lakota chieftain on horseback) was auctioned for $1.1 million (almost double the last price it commanded). Even small pencil sketches sold for $25,000. [24]
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