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Roger Joseph Zelazny (May 13, 1937 – June 14, 1995) [2] was an American fantasy and science fiction writer known for his short stories and novels, best known for The Chronicles of Amber.
It was awarded the 1968 Hugo Award for Best Novel, [1] and nominated for a Nebula Award in the same category. [2] Two chapters from the novel were published as novelettes in the Magazine of Fantasy and Science Fiction – "Dawn" in April 1967, and "Death and the Executioner" in June 1967. Zelazny noted that Lord of Light was written so that it ...
This Immortal (1966) (initially serialized in abridged form in 1965 as ...And Call Me Conrad, the author's preferred title) – Hugo Award winner, 1966 [7]; The Dream Master (1966) (an expansion of the novella "He Who Shapes" [1965]); the film Dreamscape began from Zelazny's outline which he based on "He Who Shapes"/The Dream Master, but he was not involved in the film after they bought the ...
Nebula Award Stories 3 is an anthology of award-winning science fiction short works edited by Roger Zelazny. It was first published in the United Kingdom in hardcover by Gollancz in November 1968. The first American edition was published by Doubleday in December of the same year.
The story is set on Venus at a time when mankind has achieved routine travel to the various planets of the solar system. Unlike the actual planet, Zelazny's Venus is Earth-like, offering breathable air, water-filled oceans and native fauna, one of which is the fictional Ichthyform Leviosaurus Levianthus, a 300-foot-long denizen of the Venusian oceans commonly called "Ikky".
Unicorn Variation" is a 1981 fantasy story by American writer Roger Zelazny. ... "Unicorn Variation" won the 1982 Hugo Award for Best Novelette, [1] ...
Zelazny, the son of late science fiction writer Roger Zelazny, had been suffering from reduced mobility for a number of months following a cerebellar stroke in September. "He was still 'my brother ...
"A Rose for Ecclesiastes" is a science fiction short story by American author Roger Zelazny, first published in the November 1963 issue of The Magazine of Fantasy and Science Fiction with a special wraparound cover painting by Hannes Bok. It was nominated for the 1964 Hugo Award for Short Fiction. [1]
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