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Gothic literature is strongly associated with the Gothic Revival architecture of the same era. English Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period, marked by harsh laws enforced by torture and with mysterious, fantastic, and superstitious rituals.
As a result, the French Gothic style was particularly strong in the southern Netherlands in the 13th century. Here, the transition from Romanesque to Gothic art was completed around 1250. Since Carolingian times, the Meuse region, especially the diocese of Liège, had played an important role as an intermediary between French and German book art.
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century AD, led by the concurrent development of Gothic architecture. It spread to all of Western Europe , and much of Northern , Southern and Central Europe , never quite effacing more classical styles in Italy.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
"The Philosophy of Composition" first appeared in Graham's American Monthly Magazine of Literature and Art, April 1846, Philadelphia "The Philosophy of Composition" is an 1846 essay written by American writer Edgar Allan Poe that elucidates a theory about how good writers write when they write well. He concludes that length, "unity of effect ...
Gothic art — art of the Gothic style during the Medieval period (mid-12th century until the late 15th century) in regions of Europe. Subcategories This category has the following 9 subcategories, out of 9 total.
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
Southern Gothic particularly focuses on the South's history of slavery, racism, fear of the outside world, violence, a "fixation with the grotesque, and a tension between realistic and supernatural elements". [4] Similar to the elements of the Gothic castle, Southern Gothic depicts the decay of the plantation in the post-Civil War South. [4]