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Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Desdemona encounters Iago carrying buckets of filth, and Iago stirs jealousy in her. Desdemona believes Iago's claims that Constance is a witch who is after Othello's heart, and she resolves to kill her! Desdemona sees Othello give Constance a necklace, and her suspicions increase. Constance muses about what a strong woman Desdemona is.
The title character of the play is Desdemona, the wife of the title character in Shakespeare's Othello. [1] The 2011 play arose from a collaboration between Morrison, director Peter Sellars, and musician Rokia Traoré. About a decade earlier, Morrison and Sellars had disagreed about Shakespeare’s play, which Sellars detested but Morrison valued.
Michael Cassio, or simply Cassio (/ ˈ k æ s i oʊ /), is a fictional character in William Shakespeare's Othello.The source of the character is the 1565 tale "Un Capitano Moro" by Cinthio; Cassio is unnamed in Cinthio but referred to as "the squadron leader".
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There is debate among critics as to Emilia's character nature in Othello, with some deeming her a villain and some as the true hero of the play.This is because her allegiances initially seem to lie with her husband, and she displays the typical “wifely virtues of silence, obedience, and prudence" [2] of the Elizabethan period (as seen in her theft of the handkerchief in 3.1).
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