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George Frideric Handel was the house composer at Cannons from August 1717 until February 1719. [1] The Chandos Anthems and other important works by Handel were conceived, written or first performed at Cannons. Cannons was a large house in Middlesex, the seat of James Brydges, 1st Duke of Chandos who was a patron of Handel.
For a period of twenty years, Pepusch also directed the musical establishment at Cannons, a large stately home at Edgware, Middlesex, northwest of London. He was employed there by James Brydges, 1st Duke of Chandos. For a few years, he worked alongside George Frideric Handel, who had a role described as composer in residence. Both men were at ...
St. Sebaldus Church, Nuremberg, which played an important role in Pachelbel's life. Johann Pachelbel was born in 1653 in Nuremberg into a middle-class family, son of Johann (Hans) Pachelbel (born 1613 in Wunsiedel, Germany), a wine dealer, [3] and his second wife Anna (Anne) Maria Mair.
Pachelbel's Canon (also known as the Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
Also, cannon shots are heard at the end of Rush's "Overture". [50] "The Disappearance of Mr Davenheim" (Episode 5, Series 2, of the British drama series, Agatha Christie's Poirot (1990)), the title character plays a record of the 1812 Overture so that the cannon fire will mask the sound of him breaking into his own safe. [51]
Esther began in 1718 as a masque, or chamber drama (HWV 50a), composed early in Handel's English career, and before the body of his success as an opera composer.It was first composed and performed at Cannons, where the Duke of Chandos employed Handel from 1716 - 1718 as resident composer writing for his patron's singers and small orchestra.
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The 1812 overture complete with cannon fire was performed at the 2005 Classical Spectacular. Among the other works, Capriccio Italien is a travelogue of the composer's time there during his years of wandering and a conscious emulation of the Mediterranean episodes in Glinka's Spanish Overtures. [49]