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The song was written by Jerry Leiber and Mike Stoller, [8] originally for rock and roll vocal group The Coasters. [10] The band recorded it in the same recording session as "Little Egypt", another song Elvis would later release. [11] [12] Neither songs did much for the band's popularity, [12] only reaching number 96 on the Billboard Hot 100. [10]
In 1971, the Coasters had a minor chart entry with "Love Potion No. 9", a song that Leiber and Stoller had written for the Coasters, but instead gave to the Clovers in 1959. In Britain, a 1994 Volkswagen TV advertisement used the group's "Sorry But I'm Gonna Have to Pass", which led to a minor chart placement in that country.
It should only contain pages that are The Coasters songs or lists of The Coasters songs, as well as subcategories containing those things (themselves set categories). Topics about The Coasters songs in general should be placed in relevant topic categories .
"Poison Ivy" is a popular song by American songwriting duo Jerry Leiber and Mike Stoller. It was originally recorded by the Coasters in 1959. [1] It went to No.1 on the R&B chart, No.7 on the Billboard Hot 100 chart, [2] and No.15 in the UK. This was their third top-ten hit of that year following "Charlie Brown" and "Along Came Jones".
Arguably one of the best decades of music, the 1970s saw the rise of disco, long shaggy hair, the continuation of the free love movement, and, of course, Rock and Roll at its height of fame ...
Their version can also be heard on The Very Best of the Coasters album. It topped Billboard's R&B chart and reached #8 on the Billboard Hot 100. [2] The Coasters' version is ranked #414 on Rolling Stone's list of the 500 Greatest Songs of All Time, the group's only song on the list. [3] The song was included in the musical revue Smokey Joe's Cafe.
3. Keebler Fudge Magic Middles. Neither the chocolate fudge cream inside a shortbread cookie nor versions with peanut butter or chocolate chip crusts survived.
The song is a "playlet," a word Stoller used for the glimpses into teenage life that characterized the songs he and Lieber wrote and produced. [4] The lyrics describe the listing of household chores to a kid, presumably a teenager, the teenager's response ("yakety yak") and the parents' retort ("don't talk back") — an experience very familiar to a middle-class teenager of the day.