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During this period, women's underwear consisted of a washable linen chemise or smock. This was the only article of clothing that was worn by every woman, regardless of class. Wealthy women's smocks were embroidered and trimmed with narrow lace. Smocks were made of rectangular lengths of linen; in northern Europe the smock skimmed the body and ...
Underwear of 1847: This woman is unlacing her corset, having stepped out of her petticoats. Her chemise is knee-length, with sleeves ending just above the elbow. Baroness Rothschild wears a pink satin gown with rows of ruching at the hem and lace frills at the collar and sleeves, all trimmed with ribbon bows. Her hair is smoothed over her ears ...
Engageantes are false sleeves worn with women's clothing. They were worn during the 18th and 19th centuries, with a brief revival in the 20th century. In the 18th century, engageantes took the form of ruffles or flounces of linen, cotton, or lace, tacked to the elbow-length sleeves then fashionable. [1]
Frans Hals' Laughing Cavalier (in the Wallace Collection) wears a slashed doublet, wide reticella lace collar and cuffs, and a broadbrimmed hat, 1624. Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men ...
This style arose around 1650. Jabots made of lace and hanging loose from the neck were an essential component of upper class, male fashion in the baroque period. In the late 19th century a jabot would be a cambric or lace bib, for decorating women's clothing. It would be held in place at the neck with a brooch or a sewn-on neckband.
In the 1830s, men wore dark coats, light trousers, and dark cravats for daywear. Women's sleeves reached their ultimate width in the gigot sleeve. Here, the boys (on holiday in the mountains) wear buff-colored belted knee-length tunics with yokes and full sleeves over trousers. The girls wear white dresses with colored aprons.
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