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Instead, the half step was avoided in clausulae because it lacked clarity as an interval." [13] Dramatic chromatic scale in the opening measures of Luca Marenzio's Solo e pensoso, ca. 1580. However, beginning in the 13th century cadences begin to require motion in one voice by half step and the other a whole step in contrary motion. [13]
For instance, in a chromatic scale each scale step represents a semitone interval, while a major scale is defined by the interval pattern W–W–H–W–W–W–H, where W stands for whole step (an interval spanning two semitones, e.g. from C to D), and H stands for half-step (e.g. from C to D ♭).
For example, C to D (major second) is a step, whereas C to E (major third) is a skip. More generally, a step is a smaller or narrower interval in a musical line, and a skip is a wider or larger interval with the categorization of intervals into steps and skips is determined by the tuning system and the pitch space used.
where "whole" stands for a whole tone (a red u-shaped curve in the figure), and "half" stands for a semitone (a red angled line in the figure). [2] Whole steps and half steps are explained mathematically in a related article, Twelfth root of two. Notably, an equal-tempered octave has twelve half steps (semitones) spaced equally in terms of the ...
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The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale.
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