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A Willson 2900 euphonium, a professional model commonly used in American service bands. The euphonium repertoire consists of solo literature and parts in band or, less commonly, orchestral music written for the euphonium. Since its invention in 1843, the euphonium has always had an important role in ensembles, but solo literature was slow to ...
The euphonium is a medium-sized, 3- or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, [2] meaning "well-sounding" or "sweet-voiced" (εὖ eu means "well" or "good" and φωνή phōnē means "sound", hence "of good sound").
Euphonium Concerto is a concerto written by Joseph Horovitz for euphonium and British-style brass band (or, alternatively, wind orchestra or chamber orchestra). It is considered as one of the first euphonium concertos. It was commissioned by the National Brass Band Festival with funds from the Arts Council of Great Britain.
Brian Leslie Bowman (born July 22, 1946) is an American virtuoso euphonium artist and music professor who, among other things, held the principal euphonium chair and was a featured soloist with the premier concert bands of the United States Navy and Air Force. On March 28, 1976, Bowman performed the first euphonium recital at Carnegie Hall. [1 ...
Clarence Paul Herfurth was the first author of the Tune a Day books, which are used across the English speaking world to teach music. According to A Tune a Day: Trombone or Euphonium (1944), Herfurth was born in 1893, and "began violin lessons at the age of seven and studied in Germany for a year before entering the New England Conservatory of Music in 1911.
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Goff Richards' Pilatus, Aagaard-Nilsen's Concerto for Euphonium and Orchestra, Reeman's Sonata for Euphonium and Ellerby's Euphonium Concerto were all written expressly for Mead. [4] [5] [6] He is married to Misa Mead (née Akahoshi) who is also a renowned euphonium soloist, additionally active as a freelance composer and orchestrator. [7]
This march is popular to many, especially towards euphonium and baritone horn players for its cut time 8th note (16th note) counter melody towards the end of the march. Many ensembles feature a euphonium player or the entire euphonium section at the end of this march; some just have the woodwinds and euphonium players play through it once.
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