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The terminology for metrical system used in classical and classical-style Persian poetry is the same as that of Classical Arabic, even though these are quite different in both origin and structure. This has led to serious confusion among prosodists, both ancient and modern, as to the true source and nature of the Persian metres, the most ...
Metre (or meter): the basic rhythmic structure of a verse or lines in verse. Metres are influenced by syllables and their "weight" Metrical foot (aka poetic foot): the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry; Prosody: the principles of metrical structure in poetry
A treatise on poetry by Diomedes Grammaticus is a good example, as this work categorizes dactylic hexameter verses in ways that were later interpreted under the golden line rubric. Independently, these two trends show the form becoming highly artificial—more like a puzzle to solve than a medium for personal poetic expression.
Another metrical system was put forward by John C. Pope in which rhythmic stress is assigned using musical patterns. This system seems to make more sense when considering that the poetry of the Anglo-Saxons was set to music. An explanation of the Pope system is also included in Cassidy & Ringler [16] and in Eight Old English Poems. [17]
The metrical stresses alternate between light and heavy. [9] It is a heavily regular beat that produces something like a repeated tune in the performing voice, and is, indeed, close to song. Because of its odd number of metrical beats, iambic pentameter, as Attridge says, does not impose itself on the natural rhythm of spoken language. [10]
The Iambic trimeter, in classical Greek and Latin poetry, is a meter of poetry consisting of three iambic metra (each of two feet) per line. In English poetry, it refers to a meter with three iambic feet. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic metra.
The greater part of Ancient Greek poetry is composed of stichic (/ ˈ s t ɪ k ɪ k /) metres, which are those in which the same verse-pattern is repeated line after line with no strophic structure. [6] The six main stichic metres used in Greek, according to Martin Litchfield West, are the following. [7]
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...