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Dotted notes and their equivalent durations. The curved lines, called ties, add the note values together. In Western musical notation, a dotted note is a note with a small dot written after it. [a] In modern practice, the first dot increases the duration of the basic note by half (the original note with an extra beam) of its original value.
Dotted note Placing a dot to the right of a notehead lengthens the note's duration by one-half. Additional dots lengthen the previous dot instead of the original note, thus a note with one dot is one and one half its original value, a note with two dots is one and three quarters—use of more than two dots is rare.
Counts the beat number on the tactus, & on the half beat, and n-e-&-a for four sixteenth notes, n-&-a for a triplet or three eighth notes in compound meter, where n is the beat number. [ 7 ] Eastman system
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
This dot adds the next briefer note value, making it one and a half times its original duration. A number of dots ( n ) lengthen the note value by 2 n − 1 / 2 n its value, so two dots add two lower note values, making a total of one and three quarters times its original duration.
The most common tuplet [9] is the triplet (German Triole, French triolet, Italian terzina or tripletta, Spanish tresillo).Whereas normally two quarter notes (crotchets) are the same duration as a half note (minim), three triplet quarter notes have that same duration, so the duration of a triplet quarter note is 2 ⁄ 3 the duration of a standard quarter note.
A single 64th note is always stemmed with flags, while two or more are usually beamed in groups. [3] Figure 2: Sixty-fourth notes beamed together. A similar, but rarely encountered symbol is the sixty-fourth rest (or hemidemisemiquaver rest, shown in figure 1) which denotes silence for the same duration as a sixty-fourth note.
For example, quarter notes (crotchets) are expressed by the syllable ta while eighth note (quaver) pairs are expressed using the syllables ti-ti. Larger note values are expressed by extending ta to become ta-a or "ta-o" (half note (minim)), ta-a-a or "ta-o-o" (dotted half note/minim), and ta-a-a-a or "ta-o-o-o" (whole note (semibreve)).
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