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  2. Bangle - Wikipedia

    en.wikipedia.org/wiki/Bangle

    Bangles are the signs for traditional women and girls. Bangles play a very important role in various Indian dance forms. Some of dance forms include bangles striking each other to produce a tone. The designs range from simple to intricate handmade designs, often studded with precious and semi-precious stones such as diamonds, gems and pearls ...

  3. Chura (bangles) - Wikipedia

    en.wikipedia.org/wiki/Chura_(bangles)

    The traditional churas have been completely abandoned by many Sindhi women of Sindh today and have adopted wearing the red coloured churas made of glass worn usually by bride only on the wedding ceremony, for others glass bangles or silver or gold Kangar/Kara (bracelets) are worn.

  4. Shankha (ornament) - Wikipedia

    en.wikipedia.org/wiki/Shankha_(ornament)

    Shankha or conch bangles is a bangle-shaped ornament made from the shell of marine conchs. [1] Shankha is worn by Hindu married women. Traditionally, women wear white shankha around their hands along with sindoor, noa (golden bangles), and pola (red bangles). The parents in the bride's family traditionally gift two shankha to her on the ...

  5. Category:Jewellery of India - Wikipedia

    en.wikipedia.org/wiki/Category:Jewellery_of_India

    Pages in category "Jewellery of India" The following 25 pages are in this category, out of 25 total. This list may not reflect recent changes. A. Aranjanam; B. Bangle; C.

  6. Kara (Sikhism) - Wikipedia

    en.wikipedia.org/wiki/Kara_(Sikhism)

    A kara, or kada (Punjabi: ਕੜਾ (), کڑا कड़ा ()), is a steel or cast iron bangle worn by Sikhs and sometimes Indian people of other religions. [1] [2] Sikhism preaches the importance of equality and having reverence for God at all times, which is represented through the five Ks—ceremonial items worn or used by Sikhs who have been initiated into the Khalsa, of which kara is one.

  7. Thewa - Wikipedia

    en.wikipedia.org/wiki/Thewa

    Thewa is a traditional art of fusing 23K Gold with multicoloured glass which had almost completely died out, till Revivalist designer Roopa Vohra, single handedly revived this dying art form, dedicating over two decades to make thewa a household name and synonymous with her.

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