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The second series was painted for Paul Fréart de Chantelou from 1644 to 1648 and was acquired by Francis Egerton, 3rd Duke of Bridgewater in 1798. The paintings passed by descent to the Earls of Ellesmere, the last of whom became the Duke of Sutherland in 1964.
The Seven Sacraments Altarpiece is a fixed-wing triptych by the Early Netherlandish artist Rogier van der Weyden and his workshop. It was painted from 1445 to 1450, probably for a church in Poligny (Max J. Friedländer claimed that it was commissioned by the Bishop Jean Chevrot), [1] and is now in the Royal Museum of Fine Arts, Antwerp.
[6] [7] The Last Supper was likely a retelling of the events of the last meal of Jesus among the early Christian community, and became a ritual which referred to that meal. [8] The earliest depictions of such meals occur in the frescoes of the Catacomb of Rome, where figures are depicted reclining around semi-circular tables. [2]
Extreme Unction (or Final Anointing) is one of a set of seven scenes representing the sacraments of the Catholic Church, painted between 1638 and 1640 by the French artist Nicolas Poussin (1594–1665).
The expression seven sacraments mainly refers to: Sacrament. Sacraments of the Catholic Church; Eastern Orthodox Church § Holy mysteries (sacraments) Anglican sacraments; Sacrament § Hussite Church and Moravian Church; It can also refer to:
The "originating" minister of the sacrament is a validly consecrated bishop; if a priest (a "presbyter") confers the sacrament – as is done ordinarily in the Eastern Churches and in special cases (such as the baptism of an adult or in danger of the death of a young child) in the Latin Church (CCC 1312–1313) – the link with the higher ...
The Catholic counterblast set out a middle course between the extreme positions of Byzantine iconoclasm and the iconodules, approving the veneration of images for what they represented, but not accepting what became the Orthodox position, that images partook in some degree of the nature of the thing they represented (a belief later to resurface ...
Boris Vasilyevich Anrep (Russian: Борис Васильевич Анреп; 27 September [O.S. 15 September] 1883 – 7 June 1969) was a Russian artist, active in Britain, who devoted himself to the art of mosaic. In Britain, he is known for his monumental mosaics at the National Gallery, London, Westminster Cathedral and the Bank of England.