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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
The following is a list of paintings by the Dutch and Flemish Renaissance painter and printmaker, Pieter Bruegel the Elder. These Catalog Numbers correspond to the numbering in Roger Hendrik Marijnissen's book, "Bruegel", with photographs by the Swiss art historian, Max Seidel (New York: Harrison House, 1984).
The Beggars or The Cripples is an oil-on-panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in 1568. It is now in the Louvre , in Paris . Its also is the only painting by Bruegel in the Louvre, received as a gift in 1892.
Netherlandish Proverbs (Dutch: Nederlandse Spreekwoorden; also called Flemish Proverbs, The Blue Cloak or The Topsy Turvy World) is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms.
Jan Brueghel (also Bruegel or Breughel) the Elder (/ ˈ b r ɔɪ ɡ əl / BROY-gəl, [1] [2] US also / ˈ b r uː ɡ əl / BROO-gəl; [3] [4] Dutch: [ˈjɑm ˈbrøːɣəl] ⓘ; 1568 – 13 January 1625) was a Flemish painter and draughtsman. He was the younger son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder.
The Triumph of Death appears as a background image for the text intro of the second part of the Monty Python sketch The Spanish Inquisition.. Heavy metal band Black Sabbath released a compilation album titles Black Sabbath Greatest Hits in 1977 which used the painting as the front and back covers.
Bruegel's painting was created the year after Fernando Álvarez de Toledo, 3rd Duke of Alba, arrived in the Netherlands, sent by the Spanish king, Philip II to suppress the Dutch Revolt. The gallows may represent the threat of execution of those preaching the new Protestant doctrine, and the painting may allude to several Netherlandish proverbs.
Technologies such as X-rays have revealed changes to Bruegel's work by an unknown hand. A bloated corpse, partially covered by a white shroud, has been hidden. In the original, the wheeled container with wheels, to the right of the fish stall, contains a human figure. These figures are also visible in copies made in Bruegel's time.
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