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Kariyushi shirts manufactured in Okinawa for local Okinawan residents are usually adorned with characteristic Okinawan designs found in traditional Okinawan arts, shisa temple guardian designs, and simple floral patterns in muted colors. They are often used to promote tourism in Okinawa, and have been established in replacing the standard white ...
Shisa (Japanese: シーサー, Hepburn: shīsā, Okinawan: シーサー, romanized: shiisaa) is a traditional Ryukyuan cultural artifact and decoration derived from Chinese guardian lions, often seen in similar pairs, resembling a cross between a lion and a dog, from Okinawan mythology. Shisa are wards, believed to protect from some evils.
English: Kimono fabric from Okinawa, 1868-1912, bashō (banana), katachiki/bingata (stencil-printed paste resist), Honolulu Museum of Art accession 3363.1 Date Taken in 2018
Bingata (Okinawan: 紅型, literally "red style") is a traditional stencilled resist dyeing technique originating in Okinawa Prefecture. Bingata typically features a busy pattern of repeating nature motifs such as fish, flowers and fauna in a number of bright colours. Bingata is worn during traditional Ryukyuan festivals and traditional arts ...
The Okinawa Prefectural Museum and Art Museum (沖縄県立博物館・美術館, Okinawa Kenritsu Hakubutsukan Bijutsukan), or Okimu for short, is a museum in the most southern prefecture of Japan. [1] The museum complex in the Omoro-machi area of Naha, the capital city of Okinawa Prefecture. It opened in November 2007, and includes art ...
In 1954, Jirō Kinjō, a potter from Tsuboya, became the first Okinawan to be named a Living National Treasure. In addition to dishes, vessels, and roof tiles, Ryukyuan pottery is especially known for the production of funerary urns, and shisa, lion-like guardians placed on rooftops and at gates to protect homes and other spaces from evil spirits.
In Sindh, cotton fabric is resist-dyed or block-printed before being embroidered. The shisha mirrors are attached and surrounded by filling and ladder stitches, as well as counted cross stitch. Popular motifs include trefoil, peacock, lotus, flowers, paisley, and delicate geometric patterns.
As the lacquer tree is not native to Okinawa, the key material needed to produce lacquerware could only be obtained by the Ryukyuans through trade. Though the islands were involved with trade with Japan and the Asian mainland for many centuries, it is generally believed that the presence and production of lacquerware in Ryukyu only began to any significant extent in the late 14th or early 15th ...
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