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Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e]
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
Some triplets (called clone triplets) are the same image repeated with slight alterations (for example toned to different colors, or mixed color and monochromatic photos) or, more rarely, seemingly identical images with minor, detailed changes. Triplets are usually framed together or, in galleries, mounted near each other on the wall.
Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way. Roland Barthes was one of the first people to study the semiotics of images. He developed a way to understand the meaning of images.
The Photo History Timeline Collection; In the eye of the camera — Illustrated historical essay about early photography; Lippmann's and Gabor's Revolutionary Approach to Imaging; The Digital Camera Museum with accurate history section and many rare items Archived 2017-02-16 at the Wayback Machine; The Fascinating Timeline of Photography Technology
Various people have scrutinised the image to see if there are traces of any other activity. There may be faint images of other people and possibly a child looking out of a window, and a horse. [14] [15] As with all Daguerre's plates, the picture is mirror image. [14] Bearing this in mind the camera location and angle have been analysed. [16]
The Arts (concentrating on photography's evolution throughout the 19th century and its later application to cultural exploitation); Society (documenting images that captured moments that shifted public acquaintance with political, social, cultural and environmental issues); War (pivotal moments of conflict and associated violence); and
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.