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Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e]
Triple exposure photograph from 1915. In photography and cinematography, multiple exposure is a technique in which the camera shutter is opened more than once to expose the film multiple times, usually to different images. The resulting image contains the subsequent image/s superimposed over the original.
A photography or paint triplet is set of three photos or paints usually related to one event or developing a theme or story. Many art photographers use triplets to describe more complicated story or to attract the viewer by showing related prints together.
View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph. [1] Original (left) and colorized reoriented enhancement (right).. The history of photography began with the discovery of two critical principles: The first is camera obscura image projection; the second is the discovery that some substances are visibly altered by exposure to light. [2]
This WikiProject aims at improving articles about the history of photography. "History" includes contemporary history. As in other fields, making photographs for a living does not qualify someone as a subject for Wikipedia. The emphasis in this Project is on the photographs that result from cameras, darkrooms, printers and other gizmos, not on ...
In 1839, the daguerreotype photographic process invented in France was introduced into the United States by an Englishman named D.W. Seager, who took the first photograph of a view of St. Paul’s Church and a corner of the Astor House in Lower Manhattan in New York City.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
The Arts (concentrating on photography's evolution throughout the 19th century and its later application to cultural exploitation); Society (documenting images that captured moments that shifted public acquaintance with political, social, cultural and environmental issues); War (pivotal moments of conflict and associated violence); and