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The term pessimism derives from the Latin word pessimus, meaning 'the worst'.It was first used by Jesuit critics of Voltaire's 1759 novel Candide, ou l'Optimisme.Voltaire was satirizing the philosophy of Leibniz who maintained that this was the 'best (optimum) of all possible worlds'.
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The Birth of Tragedy Out of the Spirit of Music (German: Die Geburt der Tragödie aus dem Geiste der Musik) is an 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as The Birth of Tragedy, Or: Hellenism and Pessimism ( German : Die Geburt der Tragödie, Oder: Griechentum und Pessimismus ).
Philosophical pessimism is a philosophical tradition which argues that life is not worth living and that non-existence is preferable to existence. Thinkers in this ...
Josiah Stamp is often given credit for introducing it in a 1935 speech, but although he did help to popularize it, a variant regarding a car's gas tank occurs in print with the optimism/pessimism connotations as early as 1929, and the glass-with-water version is mentioned simply as an intellectual paradox about the quantity of water (without ...
"Doomer" themed playlists, featuring this wojak along with slowed down music edits (often involving post-punk or rock) reached popularity on YouTube, especially during the Covid-19 lockdowns. The archetype often embodies nihilism and despair, with a belief in the incipient end of the world to causes ranging from climate apocalypse to peak oil ...
Misanthropy is closely related but not identical to philosophical pessimism. Philosophical pessimism is the view that life is not worth living or that the world is a bad place, for example, because it is meaningless and full of suffering. [158] [159] This view is exemplified by Arthur Schopenhauer and Philipp Mainländer. [160]
In this framework, Clifton finds that there are two things that separate music from non-music: (1) musical meaning is presentative, and (2) music and non-music are distinguished in the idea of personal involvement. "It is the notion of personal involvement which lends significance to the word ordered in this definition of music". [30]