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  2. Jean Arp - Wikipedia

    en.wikipedia.org/wiki/Jean_Arp

    Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist . Early life

  3. Johannes Theodor Baargeld - Wikipedia

    en.wikipedia.org/wiki/Johannes_Theodor_Baargeld

    Typical Vertical Mess as Depiction of the Dada Baargeld (1920) Johannes Theodor Baargeld was a pseudonym of Alfred Emanuel Ferdinand Grünwald (9 October 1892 – 16 or 17 August 1927), a German painter and poet who, together with Max Ernst, founded the Cologne Dada group. He also used the name Zentrodada in connection with Dada.

  4. Exposition Internationale du Surréalisme - Wikipedia

    en.wikipedia.org/wiki/Exposition_Internationale...

    Before their first group exhibition in November 1925, which took place in Pierre Loeb's gallery "Pierre" in Paris, the surrealist artists had previously shown their works at solo exhibitions. The group exhibition showed works of Giorgio de Chirico, Hans Arp, Max Ernst, Paul Klee, Man Ray, André Masson, Joan Miró, Pablo Picasso and Pierre Roy. [3]

  5. Berger des Nuages - Wikipedia

    en.wikipedia.org/wiki/Berger_des_Nuages

    It is said that Arp's creative influence for the sculpture was based on his reaction to the Second World War. The sculpture's wavy form simulates the natural curves of clouds, hills, and lakes, and expresses Arp's opposition to machines that caused wars. [1] It has elements of Surrealism and Dada. [1]

  6. First International Dada Fair - Wikipedia

    en.wikipedia.org/wiki/First_International_Dada_Fair

    It was to become the most famous of all Berlin Dada's exploits. It featured almost 200 works by artists including Hans Arp, Max Ernst, Hannah Höch, Francis Picabia, and Rudolf Schlichter, as well as key works by George Grosz, John Heartfield and Raoul Hausmann.

  7. Dadaglobe - Wikipedia

    en.wikipedia.org/wiki/Dadaglobe

    Max Ernst, 1920, Punching Ball (l'Immortalité de Buonarroti), photomontage, gouache and ink on photograph. The Dadaglobe solicitation letter, sent from Paris in early November 1920, requested four types of visual submissions—photographic portraits (which could be manipulated, but should "retain clarity"); original drawings; photographs of artworks; and designs for book pages—along with ...

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