Search results
Results from the WOW.Com Content Network
Typical Vertical Mess as Depiction of the Dada Baargeld (1920) Johannes Theodor Baargeld was a pseudonym of Alfred Emanuel Ferdinand Grünwald (9 October 1892 – 16 or 17 August 1927), a German painter and poet who, together with Max Ernst, founded the Cologne Dada group. He also used the name Zentrodada in connection with Dada.
Hans Peter Wilhelm Arp (16 September 1886 – 7 June 1966), better known as Jean Arp in English, was a German-French sculptor, painter and poet. He was known as a Dadaist and an abstract artist . Early life
Hugo Ball recorded this period, noting that Tzara and Marcel Janco, like Hans Arp, Arthur Segal, Otto van Rees, and Max Oppenheimer "readily agreed to take part in the cabaret". [33] According to Ball, among the performances of songs mimicking or taking inspiration from various national folklores, "Herr Tristan Tzara recited Rumanian poetry."
It was to become the most famous of all Berlin Dada's exploits. It featured almost 200 works by artists including Hans Arp, Max Ernst, Hannah Höch, Francis Picabia, and Rudolf Schlichter, as well as key works by George Grosz, John Heartfield and Raoul Hausmann.
Cinéma Calendrier du cœur abstrait, Maisons (1920), with wood engravings by Hans Arp. Le cœur à barbe (The Bearded Heart; 1922). De nos oiseaux : poèmes (Of Our Birds: Poems; 1923), with illustrations by Hans Arp. Sept Manifestes Dada (Seven Dada Manifestos; 1924), with drawings by Francis Picabia. Minutes pour géants (1916-1924).
Whilst Schwitters was never an official member of Berlin Dada, he was closely linked to many members of the group, in particular Raoul Hausmann and Hans Arp, and the poem is written in a dadaist style, using multiple perspectives, fragments of found text, and absurdist elements to mirror the fragmentation of the narrator's emotional state in ...
Max Ernst, 1920, Punching Ball (l'Immortalité de Buonarroti), photomontage, gouache and ink on photograph. The Dadaglobe solicitation letter, sent from Paris in early November 1920, requested four types of visual submissions—photographic portraits (which could be manipulated, but should "retain clarity"); original drawings; photographs of artworks; and designs for book pages—along with ...
The Gas Heart was first staged as part of a Dada Salon at the Galerie Montaigne by the Paris Dadaists on June 6, 1921. [11] The cast included major figures of the Dada current: Tzara himself played the Eyebrow, with Philippe Soupault as the Ear, Théodore Fraenkel as the Nose, Benjamin Péret as the Neck, Louis Aragon as the Eye, and Georges Ribemont-Dessaignes as the Mouth. [11]