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The scene, suffused with the golden glow of imagination in which the divine mind of Turner steeped and transfigured even the fairest natural landscape, is a dream-like vision of the little woodland lake of Nemi, "Diana's Mirror," as it was called by the ancients. No one who has seen that calm water, lapped in a green hollow of the Alban hills ...
The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also. [3] Interior of a Romanesque Church: c.1795–1800 Tate Britain, London: 61 x 50.2 Fishermen at Sea: 1796 Tate Britain, London: 91.4 × 122.2 Diana and Callisto (after Wilson) 1796 Tate Britain, London: 56.5 x 91.4 Interior of a ...
Regulus is an oil painting by English artist J. M. W. Turner, initially painted in 1828, and now in Tate Britain, London.It depicts the legend of Roman consul Marcus Atilius Regulus' death, in which he was captured by Carthaginian forces and eventually executed after being blinded by the Sun.
The Battle of Trafalgar, 21 October 1805 is a painting of 1822 by the British artist J. M. W. Turner. It was commissioned by King George IV as a part of a series of works to decorate three state reception rooms in St James's Palace and link the Hanoverian dynasty with military success. [1]
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This celebrated picture demonstrates Turner's commitment to classical landscape, as well as his passion for experimentation and interest in the modern world. [8] [page needed] The painting is interpreted as a celebration of travel and new technological power, with the railways representing the convergence of technology and natural forces.
A final photo has emerged of North Carolina grandparents on the roof of their home, surrounded by floodwaters, minutes before they drowned due to Hurricane Helene. Jessica Drye Turner’s family ...
Philadelphia Museum of Art, 36.2 in (92 cm) x 48.5 in (123.1 cm) Cleveland Museum of Art, 92 cm (36.2 in) x 123 cm (48.4 in). The Burning of the Houses of Lords and Commons, 16th October, 1834 is the title of two oil on canvas paintings by J. M. W. Turner, depicting different views of the fire that broke out at the Houses of Parliament on the evening of 16 October 1834.