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"36 Études", for violin and piano or for violin solo, Op.48 -Op.2 posthumous; dedicated to the Conservatoire de Paris-(1881) "6 Morceaux" pour violon seul suivis d'un Capriccio pour alto seul, Op.55 -Op.9 posthumous-(pub.1883) No.1 Andante; No.2 Moderato; No.3 Prélude (dedicated to violinist Léon Reynier) No.4 Tempo di minuetto; No.5 Andante
Early sonata for violin and piano; Sonata No. 1 for violin and piano, 1921; Sonata No. 2 for violin and piano, 1922; Sonata for solo violin, 1944; Arnold Bax. Violin Sonata in G minor (1901) (recently recorded on ASV but a rarity) Sonata No. 1 in E major, first version 1920/1, revised 1945 (, ) Sonata No. 2 in D major, 1915/1921 ()
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The F-A-E Sonata, a four-movement work for violin and piano, is a collaborative musical work by three composers: Robert Schumann, the young Johannes Brahms, and Schumann's pupil Albert Dietrich. It was composed in Düsseldorf in October 1853.
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
John Cage's études—Études Australes (1974–75) for piano, Études Boreales (1978) for cello and/or piano and Freeman Études (1977–80, 1989–90) for violin—are indeterminate pieces based on star charts, and some of the most difficult works in the repertory.
Pablo de Sarasate: Navarra, Duo in A major for 2 violins and orchestra (or piano), Op. 33 (1889.) Johanna Senfter : Concerto for 2 violins and string orchestra, Op. 40 Obadiah Shuttleworth : 2 concerti grossi, for two solo violins and string orchestra, arranged from the opus 5 solo sonatas by Arcangelo Corelli (1653–1713)
The Sonata for Violin and Piano in F major, Op. 57 (B. 106), is a violin sonata by Antonín Dvořák.The work was composed between 3 and 17 March 1880. [1] At the time, Dvořák was also working on his violin concerto, and it seems that the composer explored different aspects of the violin in the two pieces.
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