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The Fabulous Vaughan Brothers: Jimmie and Stevie Ray. Taylor Trade. ISBN 978-1-58979-116-9. Gill, Chris (March 2013). "Blues Power: An In-Depth Guide to the Amps and Effect Pedals in Stevie Ray Vaughan's Arsenal". Guitar World. Kitts, Jeff (1997). Guitar World Presents Stevie Ray Vaughan. Hal Leonard Corporation. ISBN 978-0-7935-8080-4.
Live at the El Mocambo is a live video by Stevie Ray Vaughan and Double Trouble.The film was recorded at El Mocambo club in Toronto, Ontario on July 20, 1983, during the band's Texas Flood Tour.
Live from Austin, Texas is a live video by Stevie Ray Vaughan and Double Trouble. It is a retrospective of the band's two performances on Austin City Limits in 1983 and 1989. The film was released as a DVD on September 3, 1997.
Pride and Joy is a music video/live compilation by Stevie Ray Vaughan. It was the original video collection, spanning all of the music videos made from 1983-1989, plus a live track from MTV's Mardi Gras celebration in February 1987. Pride and Joy was also released in 2007 on DVD, expanded to include the video for "Little Wing", and three MTV ...
However, Vaughan has assembled groups of musicians to interpret songs for special live performances. While Vaughan controlled the creative and musical direction of Double Trouble in the studio, his guitar solos differed for every live performance. Several of the band's performances have been chronicled on live albums and videos.
The Essential Stevie Ray Vaughan and Double Trouble (2002) Live at Montreux 1982 & 1985 is the fourth live album of American blues musician Stevie Ray Vaughan and his band Double Trouble , recorded at the Montreux Jazz Festival on July 17, 1982 (Disc 1) and July 15, 1985 (Disc 2), and released November 20, 2001 on Epic Records .
Pages in category "Stevie Ray Vaughan video albums" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. L.
Stevie Ray Vaughan's bootleg recordings are performances by Vaughan that have attained some level of public circulation without being available as a legal release. The term most often refers to audio recordings, but also includes video performances.
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