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Barbershop music is generally performed by either a barbershop quartet, a group of four singers with one on each vocal part, or a barbershop chorus, which closely resembles a choir with the notable exception of the genre of music. According to the Barbershop Harmony Society (BHS), "Barbershop music features songs with understandable lyrics and ...
Musopen, under the URL musopen.org, is a 501(c)(3) non-profit organization which prioritizes "improving access and exposure to music by creating free resources and educational materials". [M 1] The website creates, produces and disseminates public domain music via recordings, sheet music and educational resources concerning Western classical music.
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Cover of 1903 sheet music, with inset photo of singer Pearl Redding "(You're the Flower of My Heart,) Sweet Adeline" is a ballad best known as a barbershop standard. It was first published in 1903, with lyrics by Richard Husch Gerard to music by Harry Armstrong, from a tune he had written in 1896 at the age of 18. According to a 1928 newspaper ...
Barbershop harmony is a style of unaccompanied vocal music characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Each of the four parts has its own role: the lead sings the melody, with the tenor harmonizing above the melody, the bass singing the lowest harmonizing notes, and the baritone completing the chord.
Harry von Tilzer, composer William A. Dillon, lyricist. The song was one of the most popular of 1911, bested only by "Alexander's Ragtime Band" by Irving Berlin. [3]According to Dillon's 1966 obituary in The New York Times, the song sold over five million score sheets and recordings.
After the group performed the song at a Woolworth store in Kansas City it became so popular that the store sold all 1,000 copies of the sheet music Taylor had brought with him. Since then over four million copies of its sheet music have been sold and it has become a staple for barbershop quartets. [2] [3] [4]
Felix Arndt (1889–1918),"Desecration Rag" (1914), "Nola" (1916), [1] "Operatic Nightmare" (1916); May Aufderheide (1888–1972), "Dusty Rag" (1908) [2]; Roy Bargy ...
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