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"Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies. Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009).
ọjà. The ọjà // ⓘ is an integral part of the rich cultural heritage of the Igbo people and continues to play a significant role in their musical traditions. The Igbo people, who are indigenous to Nigeria, are renowned for the utilization of the ọjà (flute) traditional musical instrument in cultural activities or events.
Sulibao (right) on a 2016 stamp sheet of the Philippines. A solibao is a conical tenor drum played by the Bontoc and Ibaloi people of the Philippines. It is played with the palms of both hands. It usually appears as part of an ensemble along with the kimbal, pinsak, kalsa and palas. [1] Sulibao is made from a hollowed out log covered with deer ...
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The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
Nigerian musical instruments (2 C, 17 P) Nigerien musical instruments (4 P) ... Philippine musical instruments (1 C, 36 P) Polish musical instruments (8 P)
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The main use for the dabakan in Maguindanao and Maranao society is as a supportive instrument in the kulintang ensemble, [5] keeping the tempo of the ensemble in check [8] like the babendil. On most rhythmic modes, such as sinulog and duyog, the dabakan enters after babandil but in tidto, where the babendil is absent, the dabakan always starts ...