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"Philippine Music Instruments". National Commission for Culture and the Arts. Archived from the original on December 1, 2008; Manuel, E. Arsenio (1978). "Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies.
Philippine folk instruments (3 C, 5 P) Pages in category "Philippine musical instruments" ... Traditional Philippine musical instruments; A. Agung; Agung a tamlang; B.
Sulibao (right) on a 2016 stamp sheet of the Philippines. A solibao is a conical tenor drum played by the Bontoc and Ibaloi people of the Philippines. It is played with the palms of both hands. It usually appears as part of an ensemble along with the kimbal, pinsak, kalsa and palas. [1] Sulibao is made from a hollowed out log covered with deer ...
ọjà. The ọjà // ⓘ is an integral part of the rich cultural heritage of the Igbo people and continues to play a significant role in their musical traditions. The Igbo people, who are indigenous to Nigeria, are renowned for the utilization of the ọjà (flute) traditional musical instrument in cultural activities or events.
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
The people of the North are known for complex percussion instrument music, the one-stringed goje, and a strong praise song vocal tradition.Under Muslim influence since the 14th century, Hausa music uses free-rhythmic improvisation and the Pentatonic scale, similar to other Muslim Sahelian tribes throughout West Africa, such as the Bambara, Kanuri, Fulani and Songhai.
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