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Dorodangos made with a variety of clay and different techniques A large dorodango (54 cm or 21 in diameter). Dorodango (Japanese: 泥だんご, lit. "mud dumpling") is a Japanese art form in which earth and water are combined and moulded, then carefully polished to create a delicate shiny sphere.
Clay is a type of fine-grained natural soil material containing clay minerals [1] (hydrous aluminium phyllosilicates, e.g. kaolinite, Al 2 Si 2 O 5 4). Most pure clay minerals are white or light-coloured, but natural clays show a variety of colours from impurities, such as a reddish or brownish colour from small amounts of iron oxide .
Paper clay produced by pottery clay manufacturers is a clay body to which a small percentage of processed cellulose fiber has been added. When kiln-fired, the paper burns out, leaving the clay body. Consequently, the firing temperatures and glazes selection should be the same on those used with the clay body.
Wattle and daub is a composite building method used for making walls and buildings, in which a woven lattice of wooden strips called "wattle" is "daubed" with a sticky material usually made of some combination of wet soil, clay, sand, animal dung and straw. Wattle and daub has been used for at least 6,000 years and is still an important ...
Once these chemicals have leached from the wood, they are likely to bind to soil particles, especially in soils with clay or soils that are more alkaline than neutral. In the United States the US Consumer Product Safety Commission issued a report in 2002 stating that exposure to arsenic from direct human contact with CCA treated wood may be ...
In coiling, the clay is rolled into a long, thin strands that are coiled upon each other to build up the shape of the pottery. While the potter builds the coils up, she also blends them together until there was no trace of the ropes of clay entwined to form the pot, no deviation in the thickness of the walls, and therefore no weaknesses.
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Clay tempered with sand, grit, crushed shell or crushed pottery were often used to make bonfire-fired ceramics because they provided an open-body texture that allowed water and volatile components of the clay to escape freely. The coarser particles in the clay also acted to restrain shrinkage during drying, and hence reduce the risk of cracking.