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A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
Scottish renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France , Spain and Scandinavia . [ 1 ]
In large, formal homes, a sitting room is often a small private living area adjacent to a bedroom, such as the Queens' Sitting Room and the Lincoln Sitting Room of the White House. [ 4 ] In the late 19th or early 20th century, Edward Bok advocated using the term living room for the room then commonly called a parlo[u]r or drawing room , and is ...
A Meadow in the Mountains: Le Mas de Saint-Paul was painted by Vincent van Gogh in December 1889. [1] It depicts fields of young wheat with a background of lilac mountains and yellowish sky. In May 1889 Van Gogh voluntarily entered the asylum of St. Paul near Saint-Rémy in Provence.
Other types of ceiling include the cathedral ceiling, the concave or barrel-shaped ceiling, the stretched ceiling and the coffered ceiling. Coving often links the ceiling to the surrounding walls. Ceilings can play a part in reducing fire hazard, and a system is available for rating the fire resistance of dropped ceilings.
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
The Meadow is an 1875 painting by Alfred Sisley, now in section 88 (French Impressionist landscapes) in the National Gallery of Art in Washington DC. It shows a scene near Louveciennes [ 2 ] - Pierre-Auguste Renoir painted the same view of Louveciennes that year as Path Through Tall Herbs .
The shaman would retreat into the darkness of the caves, enter into a trance state, then paint images of their visions, perhaps with some notion of drawing out power from the cave walls themselves. R. Dale Guthrie, who has studied both highly artistic and lower quality art and figurines, identifies a wide range of skill and age among the artists.
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