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Pablo Picasso, 1913–14, Head (Tête), cut and pasted colored paper, gouache and charcoal on paperboard, 43.5 x 33 cm, Scottish National Gallery of Modern Art, Edinburgh Pablo Picasso, 1913–14, Student with a Newspaper , plaster, oil, Conté crayon, and sand on canvas, 73 x 59.7 cm, Metropolitan Museum of Art
Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art Le Gourmet, 1901, National Gallery of Art, Washington, D.C. Pedro Mañach, 1901, National Gallery of Art, Washington, D.C. Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow Pablo Picasso, 1901, Portrait de ...
Le petit picador jaune (1889–1890), oil on wood, 24 x 19 cm, The Picasso Estate Pigeons (1890), lead pencil on paper, 11 x 22 cm, Museu Picasso Course de taureaux et colombes (1890–1892), pencil on paper, 13.5 x 20.2 cm, Museu Picasso
Pablo Picasso, 1921, Three Musicians, oil on canvas, 200.7 × 222.9 cm, Museum of Modern Art, New York.Acquired through the Lillie P. Bliss Bequest Pablo Picasso, 1921, Nous autres musiciens (Three Musicians), oil on canvas, 204.5 × 188.3 cm, Philadelphia Museum of Art Pablo Picasso, 1921, Head of a woman, pastel on paper, 65.1 x 50.2 cm, Metropolitan Museum of Art, New York [1] Pablo Picasso ...
File: Pablo Picasso, 1913, Violin Hanging on the Wall, oil, spackle with sand, enamel, and charcoal on canvas, 65 x 46 cm, Museum of Fine Arts Berne.jpg
Lists of Picasso artworks include: List of Picasso artworks 1889–1900; List of Picasso artworks 1901–1910; List of Picasso artworks 1911–1920; List of Picasso artworks 1921–1930; List of Picasso artworks 1931–1940; List of Picasso artworks 1941–1950; List of Picasso artworks 1951–1960; List of Picasso artworks 1961–1970
[112] The art critic Arthur Danto said Picasso's work constitutes a "vast pictorial autobiography" that provides some basis for the popular conception that "Picasso invented a new style each time he fell in love with a new woman". [112] The autobiographical nature of Picasso's art is reinforced by his habit of dating his works, often to the day.
Chaïm Soutine sells sixty of his paintings from a Paris showing to the American art collector Albert C. Barnes and begins his series of paintings of beef carcasses. A joint exhibition with his mother, Suzanne Valadon, at the Galerie Bernheim-Jeune in Paris brings the paintings of Maurice Utrillo to prominence. [2]