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The Golden Starfruit Tree is one of Vietnamese fairy tales adapted by Cổ tích Việt Nam (lit. ' Vietnamese fairy tales '), a VHS series directed by Nguyễn Minh Chung based on Nguyễn Đổng Chi's folklore collection. [5] The episode was released in 1993, featuring Hồng Tơ, Tô Kiều Lan, Hoàng Thơi and Kim Anh. [6]
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Tố Hữu, whose real name is Nguyễn Kim Thành, was born 4 October 1920 in Hoi An, Quang Nam province, as the youngest son of the family. At the age of 9, Thành and his father returned home and lived in Phu Lai village, now in Quang Tho commune, Quang Dien district, Huế. Thành's father was a poor scholar, could not earn a living and ...
Front entrance. The Vietnam National Museum of History (Vietnamese: Viện Bảo tàng Lịch sử Việt Nam) is in the Hoan Kiem district of Hanoi, Vietnam.The museum building was an archaeological research institution of the French School of the Far East under French colonial rule (Louis Finot École Française d'Extrême-Orient EFEO) of 1910, was extensively refurbished in 1920.
In their monumental book of literary criticism, Thi nhân Việt Nam (1932–1941), Hoài Thanh and Hoài Chân recounted the initial surprise and hesitation amongst contemporary Vietnamese writers when Xuân Diệu entered their world with his heavily French-inspired poetry. Nevertheless, as they grew more familiar with the young poet, they ...
New Poetry Movement (Vietnamese : Phong-trào Thơ-mới) was a literary movement in 1930s colonial Vietnam, abandoning the stylized forms of Chinese-influenced poetry in Hán-Nôm for free verse in Latin-alphabet Quốc ngữ. [1] [2]
More than a love poet, Hàn Mặc Tử was a Modernist, who sought to fuse, in a new poetic language, disparate traditions and experiences. Beginning with poems that refreshed the Classical tradition, he went on to absorb the French influence, which he directed toward the turbulence of his own painful history.
After the North Vietnamese communist invasion of South Vietnam, on 12 August 1978 the Ho Chi Minh City People's Committee ordered that the former Supreme Court be used as the Ho Chi Minh City Revolutionary Museum (Bảo tàng Cách mạng Thành phố Hồ Chí Minh), later renamed to its current name on 13 December 1999.