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The “let them” theory can even work for parenting, Slavens says. “If an older child repeatedly disregards your household rules, for example, ‘let them’ does not mean to ignore that behavior.
"Caedite eos. Novit enim Dominus qui sunt eius." is a phrase reportedly spoken by the commander of the Albigensian Crusade, prior to the massacre at Béziers on 22 July 1209. [1] A direct translation of the Medieval Latin phrase is "Kill them, for the Lord knows those that are His". Papal legate and Cistercian abbot Arnaud Amalric was the military commander of the Crusade in its initial phase ...
Celebratory long-distance relationship quotes “My heart is your home, wherever in the world you are — you will always have a place to stay.” — K.A. Hill
Several modern Bible-commentators view the "war in heaven" in Revelation 12:7–13 as an eschatological vision of the end of time or as a reference to spiritual warfare within the church, rather than (as in Milton's Paradise Lost) "the story of the origin of Satan/Lucifer as an angel who rebelled against God in primeval times."
Although it would contradict a creature's freedom if God were to cause, or in Plantinga's terms strongly actualize, a world where creatures only do good, an omniscient God would still know the circumstances under which creatures would go wrong. Thus, God could avoid creating such circumstances, thereby weakly actualizing a world with only moral ...
The Son of God Goes Forth to War (1812) is a hymn by Reginald Heber [1] which appears, with reworked lyrics, in the novella The Man Who Would Be King (1888), by Rudyard Kipling and, set to the Irish tune The Moreen / The Minstrel Boy, in the film The Man Who Would Be King (1975), directed by John Huston. [2]
"War with God" is a song on the album Release Therapy by rapper Ludacris. Released in July 2006, the song saw Ludacris return to music after some time off to concentrate on his acting career. Released in July 2006, the song saw Ludacris return to music after some time off to concentrate on his acting career.
In March 2009, the painting, along with others, was erased from the wall to allow the original artists to repaint them with more durable paints. Vrubel was commissioned to repaint the piece, donating the € 3000 fee he was paid to a social art project in Marzahn .