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Yaoguai (Chinese: 妖怪; pinyin: yāoguài) represent a broad and diverse class of ambiguous creatures in Chinese folklore and mythology defined by the possession of supernatural powers [1] [2] and by having attributes that partake of the quality of the weird, the strange or the unnatural.
The following is a list of supernatural beings in Chinese folklore and fiction originating from traditional folk culture and contemporary literature.. The list includes creatures from ancient classics (such as the Discourses of the States, Classic of Mountains and Seas, and In Search of the Supernatural) literature from the Gods and Demons genre of fiction, (for example, the Journey to the ...
Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
The Investiture of the Gods, also known by its Chinese names Fengshen Yanyi (Chinese: 封神演義; pinyin: Fēngshén Yǎnyì; Wade–Giles: Fêng 1-shên 2 Yan 3-yi 4; Jyutping: Fung 1 San 4 Jin 2 Ji 6) and Fengshen Bang (封神榜), [note 1] is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (shenmo) genre written during the Ming dynasty ...
(in Chinese mythology) wizard; magician; shaman; sorcerer (in popular Chinese literature) genie; elf, fairy; nymph; (xian jing (Chinese: 仙境; pinyin: Xiānjìng) is fairyland) (based on the folk etymology for the character 仙, a compound of the characters for person and mountain) sage living high in the mountains; mountain-man; hermit; recluse
Fenghuang are mythological birds featuring in traditions throughout the Sinosphere. Fenghuang are understood to reign over all other birds: males and females were originally termed feng and huang respectively, but a gender distinction is typically no longer made, and fenghuang are generally considered a feminine entity to be paired with the traditionally masculine Chinese dragon.
The earliest Chinese reference to a will-o'-the-wisp appears to be the Chinese character 粦 lín, attested as far back as the Shang dynasty oracle bones, depicting a human-like figure surrounded by dots presumably representing the glowing lights of the will-o'-the-wisp, to which feet such as those under 舞 wǔ, 'to dance' were added in bronze ...
In Chinese mythology, [20] the world-creator Hundun resembled a lump of flesh; the nine sons of the dragon were born as a limbless lump of flesh, split into nine parts and thrown them into the river, where they became dragon kings; the hero King Zhao of Zhou was born as a lump of flesh that had to be split; and the dead sometimes appear as a ...