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The Investiture of the Gods, also known by its Chinese names Fengshen Yanyi (Chinese: 封神演義; pinyin: Fēngshén Yǎnyì; Wade–Giles: Fêng 1-shên 2 Yan 3-yi 4; Jyutping: Fung 1 San 4 Jin 2 Ji 6) and Fengshen Bang (封神榜), [note 1] is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (shenmo) genre written during the Ming dynasty ...
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).
The classic Chinese novel Investiture of the Gods (also commonly known as Fengshen Yanyi) contains a register of deities (Chinese: 封神榜). According to Fengshen Yanyi, Yuanshi Tianzun ("Primeval Lord of Heaven") bestows upon Jiang Ziya the Fengshen bang (Register of Deities), a list that empowers him to invest in the gods of heaven. Through ...
The following is a list of supernatural beings in Chinese folklore and fiction originating from traditional folk culture and contemporary literature.. The list includes creatures from ancient classics (such as the Discourses of the States, Classic of Mountains and Seas, and In Search of the Supernatural) literature from the Gods and Demons genre of fiction, (for example, the Journey to the ...
Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
Yaoguai (Chinese: 妖怪; pinyin: yāoguài) represent a broad and diverse class of ambiguous creatures in Chinese folklore and mythology defined by the possession of supernatural powers [1] [2] and by having attributes that partake of the quality of the weird, the strange or the unnatural.
The writer Hu Shih wrote that the spells and magical creatures of Chinese fiction were more harmful to the Chinese people than the germs discovered by Louis Pasteur. Stories of the supernatural were denounced during the Cultural Revolution, an era when "Down with ox-ghosts and snake-spirits" was a popular Communist slogan. [15]
Fengbo (Chinese: 風伯), also known as Fengshi, is the Taoist deity of the wind. In ancient times, he was depicted as a grotesque deity with the body of a deer, the head of a bird, horns, the tail of a snake, and patterns of a leopard. Eventually, Fengbo was replaced by Feng Po Po.