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Tradeware ceramics in the Philippines range from Pre-Spanish arrival through the Manila Galleon of the Colonial period. Leading scholars in this field are Carl E. Guthe, Li Jian'an, Li Min, Olov Janse, and Robert Fox. The main periods of this trade include Yuan (1271–1368), Early Ming (1368–1464), Middle Ming (1465–1522), Late Ming (1522 ...
Philippine ceramics are mostly earthenware, pottery that has not been fired to the point of vitrification. Other types of pottery like tradeware and stoneware have been fired at high enough temperatures to vitrify. Earthenware ceramics in the Philippines are mainly differentiated from tradeware and stoneware by the materials used during the ...
Kalinga Pottery and its Uses [4] A jar from the Philippines housed at the Honolulu Museum of Art, dated from 100–1400 CE. In Kalinga, ceramic vessels can be used for two situations: daily life use and ceremonial use. Daily life uses include the making of rice from the pots and the transfer of water from nearby water bodies to their homes.
Swatow ware or Zhangzhou ware is a loose grouping of mainly late Ming dynasty Chinese export porcelain wares initially intended for the Southeast Asian market. The traditional name in the West arose because Swatow, or present-day Shantou, was the South Chinese port in Guangdong province from which the wares were thought to have been shipped.
Mariwasa was established in March 1966 [1] by the brothers Emerson and Edison Coseteng [4] and was originally incorporated as the Mariwasa Manufacturing, Inc. (MMI) [5] with its name derived from the Filipino word for "prosperous". [6] It grew to become a major player in the tile industry in the Philippines with Mariwasa exporting some of its ...
The Kalinga Ethnoarchaeological Project (KEP), based in the Cordillera Mountains of the Philippines, was one of the longest-running ethnoarchaeological projects in the world. [1] It was initiated by William Longacre, professor at the University of Arizona, in 1973. Lasting for almost 20 years, research focused on pottery production, use ...
2004. Eduardo Tubig Mutuc[1] is a Filipino metalsmith and sculptor. [2] He is a known to be a practitioner of the craft of pinukpuk which involved the stamping of embellishments on metal sheets. [3] Mutuc creates works of both secular and religious nature using silver, wood and bronze mediums. This includes retablos, mirrors, altars and carosas.
Detail on a jar cover molded into a human head. Even though the burial jars are similar to that of the pottery found in Kulaman Plateau, Southern Mindanao and many more excavation sites here in the Philippines, what makes the Maitum jars uniquely different is how the anthropomorphic features depict “specific dead persons whose remains they guard”.