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Pages in category "Paintings of Cleopatra" The following 12 pages are in this category, out of 12 total. ... This page was last edited on 2 May 2024, ...
Cleopatra VII wearing a diadem and 'melon' hairstyle similar to coinage portraits, marble, found near the Tomba di Nerone, Rome along the Via Cassia, Museo Pio-Clementino, Vatican Museums Cleopatra as a Goddess; 1st century BC An ancient Roman wall painting in Room 71 of the House of Marcus Fabius Rufus at Pompeii, Italy, showing Venus with a cupid's arms wrapped around her.
This is an accepted version of this page This is the latest accepted revision, reviewed on 7 January 2025. Book containing line art, to which the user is intended to add color For other uses, see Coloring Book (disambiguation). Filled-in child's coloring book, Garfield Goose (1953) A coloring book is a type of book containing line art to which people are intended to add color using crayons ...
Cleopatra and Caesar (French: Cléopâtre et César), also known as Cleopatra Before Caesar, is an oil-on-canvas painting by the French Academic artist Jean-Léon Gérôme, completed in 1866. The work was originally commissioned by the French courtesan La Païva , but she was unhappy with the finished painting and returned it to Gérôme.
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The Banquet of Cleopatra is the title of several paintings showing the culmination of a wager between Cleopatra and Mark Antony as to which one could provide the most expensive feast. As recounted in Pliny the Elder's Natural History Cleopatra wins the wager: after Mark Antony's feast, Cleopatra drops a rare and precious pearl from her earring ...
Cleopatra VII was born in early 69 BC to the ruling Ptolemaic pharaoh Ptolemy XII and an uncertain mother, [32] [33] [note 13] presumably Ptolemy XII's wife Cleopatra V Tryphaena (who may have been the same person as Cleopatra VI Tryphaena), [34] [35] [36] [note 14] [note 2] the mother of Cleopatra's older sister, Berenice IV Epiphaneia.
Cleopatra is a 1611-1612 oil on canvas painting of Cleopatra by Artemisia Gentileschi, now in the private Etro collection in Milan. It is unquestionably from the Gentileschi workshop, but secure authorship to either Orazio or Artemisia is disputed.
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